Learning Outcomes:
On successful completion of this module students should be able to:
1. Understand the main concerns of the Anthropocene.
2. Identify written and visual or performative imagery that engages with the Anthropocene.
3. Situate artworks in relation to wider social, political and historical context.
4. Analyse and interpret a written text, artwork or performance piece.
5. Argue in detail and at length about an aspect of the topic, supporting the argument with evidence from the text/image/performance and with secondary sources.
6. Engage with critical theory.
Indicative Module Content:
Divided into five sections, the module will explore texts, artworks and films from a range of creators.
Block 1. Theoretical Approaches to the Anthropocene engages with seminal theoretical approaches to the Anthropocene beginning with Paul J. Crutzen and Eugene F Stoermer initial formulation of the concept alongside Karen Barad's critique to language and New Materialist celebration of Performativity.
Block 2. Earth explores initial explorations of the relationship between (the female) body and land through the work of Cecilia Vicuña and Lucía Loren.
Block 3. Inanimate Matter examines the work of Barbará Fluxá and her exploration of how capitalist modes of production have legitimised the destruction of the ecosystem . It also investigates the control and domination certain bodies over others and the accumulation of plastic through the work of Olga Diego.
Block 4. Human and Non-human Entanglements examines the ways in which the art installations of Mexican artist, Teresa Margolles and the choreographies of the Barcelona-based dancer, Sol Picó, relocate notions of the human in relation to the non-human and, in so doing, they raise questions about the social and the political.
Block 5. Technological and Aerial Interconnectivities travels beyond the earth and in the ways in which humans and the universe are entangled together through the work of Rafael Lozano-Hemer's installations and the investigations of the world of spiders by Tomás Saraceno.