Primary Sources:
Photography and Film:
Berlin. Sinfonie der Großstadt. Director: Walther Ruttmann. Production: Karl Freund. Deutsche Vereins-Film AG/Fox Europa 1927.
Tempo, Tempo! The Bauhaus Photomontages of Marianne Brandt, ed. Elizabeth Otto. Berlin: Jovis, 2006.
Hannah Höch, ‘Cut with the Kitchen Knife Dada Through the Last Weimar Beer-Belly Cultural Epoch of Germany,’ (1919-20).
Hannah Höch, ‘Das schöne Mädchen’ (1919-20)
Hannah Höch, ‘Russische Tänzerin. Mein Double’ (1928)
Hannah Höch, ‘Marlene’ (1930)
Literary works
Kafka, Franz, Betrachtung (2012). In: Gesammelte Werke in zwölf Bänden. ed. Hans-Gerd Koch. Bd. 1: Ein Landarzt und andere Drucke zu Lebzeiten. Frankfurt a.M.: Fischer, 1994, pp. 11–36.
Kafka, Franz, ‘Contemplation’. In: Franz Kafka, Metamorphosis and Other Stories. Trans. by Michael Hofmann. London etc. Penguin Classics, 2007.
Kafka, Franz, ‘The Metamorphosis’ (1912). In: Franz Kafka, Metamorphosis and Other Stories. Trans. by Michael Hofmann. London etc. Penguin Classics, 2007.
Keun, Irmgard, Das kunstseidene Mädchen (1932). Berlin: List, 2013.
Keun, Irmgard, The Artificial Silk Girl. Trans. by Kathie von Ankum London etc.: New York, Other Press, 2011.
Walser, Robert, Jakob von Gunten. Ein Tagebuch (1908). In: Sämtliche Weke in 20 Bänden, ed. by Jochen Greven. Vol 11. Frankfurt a. M. Suhrkamp, 1985.
Walser, Robert, Jakob von Gunten. Trans. by Christopher Middleton. New York: New York Review of books 1999.
Walser, Robert, Der Spaziergang. (1916) In: Sämtliche Werke in Einzelausgaben, ed. Jochen Greven, vol. 5: 7–77. Zurich, Frankfurt am Main: Suhrkamp, 1986.
Walser, Robert, The Walk. In: The Walk and Other Stories, trans. by Christopher Middleton, London: Serpent’s Tail, 1992.
Woolf, Virginia. Mrs Dalloway. Ed by Stella McNichol. London etc: Penguin Classics, 2019.
Essays:
Simmel, Georg, “Die Großstädte und das Geistesleben.” In: Gesamtausgabe, ed. by Rüdiger Kramme, Frankfurt a. Main: Suhrkamp, 1995, vol. 7: pp. 227–42.
Simmel, Georg, 'The Metropolis and Mental Life.' In: Simmel on Culture, ed. David Frisby and Mike Featherstone, London, New Delhi: Sage, 1997: 174—85.
Kracauer, Siegfried. “Der Kult der Zerstreuung” (1926). In: S. Kracauer, Das Ornament der Masse. Essays, Frankfurt a. Main. Suhrkamp, 1977: 311–17.
Kracauer, Siegfried, '‘The Cult of Distraction: On Berlin’s Picture Palaces.’ In: The Mass Ornament, translated and edited by Thomas Y. Levin (Cambridge: Harvard University Press, 1988)
Marinetti, Filippo Tommasso, 'The Founding and Manifesto of Futurism.' In: Futurist Manifestos, edited by Umbo Apollonio, pp. 19–24. London: Thames and Hudson, 1973.
Select Secondary Sources:
Barthes, Roland. Camera Lucida. Reflections on Photography, trans. by R. Howard. New York: Vintage Classics, 1993.
Biro, Matthew. Hannah Höch’s New Woman: Photomontage, Distraction, and Visual Literacy in the Weimar Republic. In: Elizabeth Otto and Vanessa Rocco (eds), The New Woman International. Representations in Photography and Film from the 1870s through the 1960s. Ann Arbor: The University of Michigan Press, 2011: pp. 115-134.
*** Boa, Elizabeth. Observations on Time and Motion: Kafka’s Betrachtung and the Visual Arts Around 1900. In: Fuchs, A and Long, J.J. (eds), Time in German Literature and Culture, 1900-2015: Between Acceleration and Slowness. Houndmills: Palgrave Macmillan, 2016: 93-112.
*** Boa, Elizabeth. The New Woman and Satirist or Butt of Satire. Oxford German Studies 46/1 (2017): 25-41.
Bragaglia, Anton Giulio .“Exerpts from Futurist Photodynamism.” In: Photography in the Modern Era. European Documents and Critical Writings, 1913-1940, edited by Ch. Phillips, 287–95. New York: Metropolitan Museum of Modern Art, 1989.
***Crary, Jonathan. Suspensions of Perceptions. Attention, Spectacle, and Modern Culture. Cambridge/Mass: MIT Press, 1999.
***Danius, Sara. The Senses of Modernism: Technology, Perception, and Aesthetics. Ithaca and London: Cornell UP, 2002.
Debord, Guy. The Society of Spectacle. Detroit: Black & Red, 1970.
*** Duttlinger, Carolin. Attention & Distraction in Modern German Literature, Thought and Culture. Oxford: Oxford UP, 2022.
Duttlinger, Carolin. “Kafkas Poetik der Aufmerksamkeit von Betrachtung bis Der Bau.” In Kafka und die kleine Prosa der Moderne/Kafka and Short Modernist Prose, edited by Manfred Engel and Ritchie Robertson, 79-97. Würzburg: Königshausen & Neumann, 2010.
*** Fritzsche, Peter. Reading Berlin 1900. Cambridge/Mass: Harvard UP, 1996.
***Fuchs, Anne, Precarious Times. Temporality and History in Modern German Culture. Signale Series. Ithaca: Cornell University Press, 2019.
Fuchs, Anne. “On Unbecoming Human and the End of Genealogy in Kafka’s Die Sorge des Hausvaters.” Germanistik in Ireland: Yearbook of the German Studies Association of Ireland. 17 (2022): 117-127.
Fuchs, Anne. “Posthumane Figurationen von Beschleunigung, Tempo und Bewegungseuphorie in Kafkas Betrachtung.” In: Alexander Kling und Johannes F. Lehmann, Kafkas Zeiten. Würzburg: Königshausen & Neumann 2023, pp. 57-76.
***Fuchs, Anne and J.J. Long (eds), Time in German Literature and Culture, 1900-2015: Between Acceleration and Slowness. Houndmills: Palgrave Macmillan, 2016.
Fuchs, Anne. “Why Smallness Matters. Smallness, Attention and Distraction in Franz Kafka’s and Robert Walser’s Short Short Prose.” In: Kafka und die kleine Prosa der Moderne/Kafka and Short Modernist Prose, edited by Ritchie Robertson and Manfred Engel, 167–79. Würzburg: Königshausen & Neumann, 2010.
***Göttsche, Dirk (ed.). Critical Time in Modern German Literature and Culture. Oxford etc.: Peter Lang, 2016.
Hake, Sabine. “Urban Spectacle in Walter Ruttmann’s Berlin, Symphony of the Big City.” In Dancing on the Volcano: Essays on the Culture of the Weimar Republic, edited by Stephen Brockmann and Thomas W. Kniesche, pp. 127-37. Rochester, NY: Camden House, 1994.
Hillard, Derek. “Walter Ruttmann’s Janus-Faced View of Modernity: The Ambivalence of Description in Berlin Die Sinfonie der Großstadt.” Monatshefte 96/1 (2004): 78-92.
***Huyssen, Andreas. “Modernist Miniatures: Literary Snapshots of Urban Spaces.” PMLA 122/1 (2007): 27–42.
Huyssen, Andreas. “The Vamp and the Machine: Technology and Sexuality in Fritz Lang’s Metropolis.” New German Critique vol. 24/25 (1981/82): 221-37.
***Kern, Stephen. The Culture of Time and Space 1880-1918. Cambridge/Mass.: Harvard University Press, 2003.
La, Kristie. Mass Media, Gender and Colonialism. The Weimar Photomontages of Marianne Brandt and Hannah Höch. In: Laura Muir (ed.), Object Lessons: The Bauhaus and Harvard. Edited by Laura Muir. Cambridge, MA: Harvard Art Museums: pp. 115-130
Lavin, Maud. “Androgyny, Spectatorship, and the Weimar Photomontages of Hannah Höch.” New German Critique 51 (1990): 62-86
Long, Jonathan J. “Photography/Topography: Viewing Berlin, 1880/2000.” New German Critique 116 (Summer 2012): 25–45.
***McBride, Patrizia. Weimar-Era Montage: Perception, Expression, Story-telling. In: The Chatter of the Visible. Montage and Narrative in Weimar Germany. University of Michigan Press, 2016: 14-40.
Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representations. Chicago and London: The University of Chicago Press, 1994.
Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen 16.3 (1975), 6-18.
Osborne, Peter. The Politics of Time. Modernity and Avantgarde. London, New York: Verso, 1995.
Otto, Elizabeth. A ‘Schooling of the Senses’: Post-Dada Visual Experiments in the Bauhaus Photo-Montages of László Moholy-Nagy and Marianne Brandt. New German Critique 107 (2009): 89-131.
Otto, Elizabeth. The Secret History of Photomontage: On the Origins of the Composite Form and the Weimar Photomontages of Marianne Brandt: In: Kathleen Canning, Kerstin Barndt Kristin McGuire (eds), Weimar Publics/Weimar Subjects Rethinking the Political Culture of Germany in the 1920s. New York and Oxford: Berghahn, 2010: 66-92.
***Tomlinson, John. The Culture of Speed. The Coming of Immediacy. London: Sage, 2007.
*** Uecker, Matthias, Icons of Speed – Icons of Crisis. Acceleration Effects in Weimar Culture. In: Fuchs, A and Long, J.J. (eds), Time in German Literature and Culture, 1900-2015: Between Acceleration and Slowness. Houndmills: Palgrave Macmillan, 2016: 113-129.
Virilio, Paul. Negative Horizon. An Essay in Dromoscopy, trans. Michael Degener. London: Continuum, 2005.
Sontag, Susan. On Photography. New York: Farrar and Strauß 1977.
***Ward, Janet. Weimar Surfaces. Urban Visual Culture in 1920s Germany. Berekelxy and Los Angeles: University of California Press, 2001.