Explore UCD

UCD Home >

MUS31470

Academic Year 2024/2025

Techniques of Composition (MUS31470)

Subject:
Music
College:
Arts & Humanities
School:
Music
Level:
3 (Degree)
Credits:
10
Module Coordinator:
Dr Sean L Clancy
Trimester:
Autumn
Mode of Delivery:
On Campus
Internship Module:
No
How will I be graded?
Letter grades

Curricular information is subject to change.

This is a practical module where students learn the fundamentals of musical composition drawing from a broad variety of styles within the western art music tradition over the past 75 years. This module will equip you with the tools to start composing, and will establish a firm grounding for those that wish to pursue composition as a career, and/or those that want to go on to further study at masters level.

In this module you will learn how to use technology such as using notation software and digital audio workstations to aid you in realising your compositional ideas, as well as exploring more traditional approaches to composition and how to use pitch, harmony, tempo, rhythm, metre, line, texture, colour, and structure. These topics are examined systematically week-on-week, first in solo and chamber contexts before learning how to write for larger ensembles. Moreover, you will be encouraged to find your own compositional language, and how to push this language into exciting territory.

Working with industry experts, you will learn the mechanics of composition - and how a piece of music develops from a period of research, to sketch, to feedback and appraisal, to rehearsal, to performance. This will give you valuable insight into how a composition comes to life in the real world.

Within the framework of the indicative content, you are encouraged to respond as creatively as possible, and the module welcomes students interested in contemporary classical music, electronic music, improvisation, jazz, film music, left-field songwriting, and all the places in-between.

About this Module

Learning Outcomes:

On completion of this module students should be able to:
- demonstrate an understanding of compositional techniques from the 1950s to the present day.
- demonstrate a contextual knowledge of these techniques through the critical discussion of repertoire in class.
- deploy with precision these techniques in a self-directed free composition that is technically adept, creatively engaging, and presented to a high standard.
- reflect upon their own creative process in a mature manner in a written commentary.

Indicative Module Content:

Week 1: Introduction to notation software, creating parts, and file management
Week 2: Introduction to DAWs
Week 3: Writing for solo instruments (part i)
Week 4: Writing for solo instruments (part ii)
Week 5: Writing for 2, 3, or 4 players (part i)
Week 6: Writing for 2, 3, or 4 players (part ii)
Week 7: Group discussion, presenting work-in-progress
Week 8: Reading week (no class)
Week 9: Writing for 5-12 players (part i)
Week 10: Writing for 5-12 players (part ii)
Week 11: Writing for Large Ensemble or Orchestra (part i)
Week 12: Writing for Large Ensemble or Orchestra (part ii)

Student Effort Hours:
Student Effort Type Hours
Lectures

24

Project Supervision

12

Autonomous Student Learning

164

Total

200


Approaches to Teaching and Learning:
- In-person lecture 2 hours per week
- Regular tutorials with the module lecturer and/or the module coordinator (upon discussion)
- Self-directed research, study, and composition
- In-class discussions and peer feedback

Requirements, Exclusions and Recommendations

Not applicable to this module.


Module Requisites and Incompatibles
Not applicable to this module.
 

Assessment Strategy
Description Timing Component Scale Must Pass Component % of Final Grade In Module Component Repeat Offered
Individual Project: Write a short preparatory study of about 1-2 minutes that utilises some of the approaches discussed in class. Week 7 Graded No
30
No
Individual Project: Write a completed composition of about 3-5 minutes that utilises some of the approaches learned. This can be a continuation of your preparatory piece or a new work. A commentary is also required. Week 12 Graded No
70
No

Carry forward of passed components
Yes
 

Resit In Terminal Exam
Spring No
Please see Student Jargon Buster for more information about remediation types and timing. 

Feedback Strategy/Strategies

• Feedback individually to students, on an activity or draft prior to summative assessment
• Feedback individually to students, post-assessment

How will my Feedback be Delivered?

Feedback will be given individually to students, post-assessment by written and annotated remarks through the VLE. Feedback will be offered by peers in week 7 & week 12 in a supportive and structured way.

Name Role
David Coonan Lecturer / Co-Lecturer

Timetabling information is displayed only for guidance purposes, relates to the current Academic Year only and is subject to change.
Autumn Lecture Offering 1 Week(s) - 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12 Thurs 15:00 - 15:50
Autumn Lecture Offering 1 Week(s) - 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12 Tues 13:00 - 14:50