Learning Outcomes:
By the end of the course, students should be able to:
1. Demonstrate an understanding of the vocation of studying music history, and a familiarity with major trends in the field;
2. Describe and analyse a number of major musical works, including understanding key stylistic markers;
3. Situate musical works in their historical, social, and cultural context;
4. Apply the key themes of the lectures to a piece of independent research, to be submitted at the end of the course.
Indicative Module Content:
Week 1: Course Introduction: Studying the History of Western Art Music
UNIT ONE: RETHINKING MUSIC HISTORY
Week 2: The Year 1750: The End of the Baroque?
Week 3: Defining Musical Romanticism
Week 4: Rethinking the Musical Canon
UNIT TWO: OPERA AND DRAMA
Week 5: Wagner and his Shadow
Week 6: Opera and Politics: Colonialism, Orientalism, and the Performance of Power
Week 7: Italian Verismo: In Search of Realism
[Weeks 8 and 9: No Class]
UNIT THREE: MUSIC, INNOVATION, TECHNOLOGY
Week 10: Sounds of the Future: Music and Modernism in the Early Twentieth Century
Week 11: Music and Technology in the Mid-Twentieth Century
Week 12: Western Art Music in the Internet Age
Weeks 13 and 14: Essay Workshops