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Curricular information is subject to change
On completion of this module students should be able to:
- name and describe important composers, genres and styles of the period in question and discuss selected aesthetic dimensions of the music
- recognise, analyse and compare selected compositions in terms of their style and origin
- evaluate the relationship between music and its cultural and historical context
- discuss and explain key aspects of each topic in the light of contemporary musicological scholarship
- demonstrate a structured and coherent approach in written presentation skills
- consult and use a wide range of bibliographic sources
Introduction. Thinking about Early Music: music history vs musicology; how Early Music differs from later European art music; current scholarship and debates in Early Music; approaches to essay writing.
2. Polytextuality in the Medieval Motet;
3. Renaissance Polyphony; compositional techniques; composers; social and cultural contexts.
4. Baroque Opera - the creation of a genre: Monteverdi and beginnings in Italy - what is opera?; The French Connection - Lully, language and power; Handel - a German synthesis in London.
Student Effort Type | Hours |
---|---|
Specified Learning Activities | 36 |
Autonomous Student Learning | 40 |
Lectures | 24 |
Total | 100 |
Not applicable to this module.
Description | Timing | Component Scale | % of Final Grade | ||
---|---|---|---|---|---|
Multiple Choice Questionnaire: Focusing on the material of weeks 1 - 2 [Thinking about Early Music] | Week 5 | n/a | Graded | No | 15 |
Essay: 2,000 word essay | Week 7 | n/a | Graded | No | 25 |
Multiple Choice Questionnaire: Focusing on the materials of weeks 3 - 12. | Week 12 | n/a | Graded | No | 25 |
Essay: 3,000 word essay. | Week 12 | n/a | Graded | No | 35 |
Remediation Type | Remediation Timing |
---|---|
In-Module Resit | Prior to relevant Programme Exam Board |
• Feedback individually to students, post-assessment
Not yet recorded.