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MUS10270

Academic Year 2025/2026

Music in Human Life (MUS10270)

Subject:
Music
College:
Arts & Humanities
School:
Music
Level:
1 (Introductory)
Credits:
5
Module Coordinator:
Assoc Professor Jaime Jones
Trimester:
Autumn
Mode of Delivery:
On Campus
Internship Module:
No
How will I be graded?
Letter grades

Curricular information is subject to change.

In his book Musicophilia: Tales of Music and the Brain, renowned neurologist Oliver Sacks recognised the centrality of music to human experience. “Music can lift us out of depression or move us to tears - it is a remedy, a tonic, orange juice for the ear… it can provide access to movement, to speech, to life. Music is not a luxury, but a necessity. [It] is part of being human.” In this module, we start from this premise, and investigate the place of music in human life, asking how and why music emerges across cultures, how it shapes experience, and what it reveals about being human. Drawing on insights from ethnomusicology and related disciplines, we explore music as a social and sensory force: something people do, feel, think with, and live through. Using a broad range of examples from diverse times and places, we will engage with musical practices ranging from ancient traditions to digital sound cultures, from ritual performance to everyday playlists. Through case studies, listening, and discussion, we’ll examine how music interacts with the body, memory, emotion, technology, time, and the environment.

This module invites students to think critically and curiously about music, not only as an art form, but also as a fundamental aspect of human life. No prior musical training is required (but be prepared to listen and to think!).

About this Module

Learning Outcomes:

Students completing this module will be able to:
- Describe and discuss the role of music in human life across a range of cultural, historical, and contemporary contexts.
- Apply key concepts from ethnomusicology to interpret musical practices and experiences.
- Develop attentive and reflective listening skills, considering how music is shaped by and shapes human experience.
- Communicate ideas about music clearly and thoughtfully, in different formats (written and oral).
- Respond constructively to feedback and revise their work in light of deeper understanding.

Indicative Module Content:

Week 1: What Is Music, and Why Does It Matter?
Week 2: Music and the Body
Week 3: Music and Emotion
Week 4: Music, Time, and Memory
Week 5: Music, Place, and Environment
Week 6: Music and Ritual
Week 7: Music and Technology
Week 9: Music and Work
Week 10: Music and Identity
Week 11: Music and Power
Week 12: Music and the Everyday

Student Effort Hours:
Student Effort Type Hours
Lectures

24

Specified Learning Activities

46

Autonomous Student Learning

30

Total

100


Approaches to Teaching and Learning:
This module will be a mixture of lecture, discussion, and class-based activities. Attendance every week is a crucial component to success in this module. Listening forms the heart of our work, and we will dedicate time in class and through assessments and feedback to developing our skills as listeners. There will be a weekly listening journal to help solidify these skills.

Requirements, Exclusions and Recommendations

Not applicable to this module.


Module Requisites and Incompatibles
Not applicable to this module.
 

Assessment Strategy
Description Timing Component Scale Must Pass Component % of Final Grade In Module Component Repeat Offered
Reflective Assignment: Critical Listening Journal Part 1 (Formative) Week 1, Week 2, Week 3, Week 4, Week 5, Week 6, Week 7, Week 9, Week 10, Week 11, Week 12 Standard conversion grade scale 40% No
0
No
Portfolio: Critical Listening Journal Part 2: Summative
Students select, revise, and expand 3 journal entries (500 words max each) from weeks 1-6 of the Critical Listening Journal
Week 8 Standard conversion grade scale 40% No
30
No
Individual Project: Audio Essay
Students will produce a 5-7 minute audio essay discussing two examples from the two halves of the module in response to the prompt "What can music tell us about human experience?"
Week 14 Standard conversion grade scale 40% No
70
No

Carry forward of passed components
Yes
 

Resit In Terminal Exam
Spring No
Please see Student Jargon Buster for more information about remediation types and timing. 

Feedback Strategy/Strategies

• Feedback individually to students, on an activity or draft prior to summative assessment
• Feedback individually to students, post-assessment
• Group/class feedback, post-assessment

How will my Feedback be Delivered?

Not yet recorded.

Timetabling information is displayed only for guidance purposes, relates to the current Academic Year only and is subject to change.
Autumn Lecture Offering 1 Week(s) - 1, 2, 3, 4, 5, 6, 7, 9, 10, 11, 12 Thurs 11:00 - 12:50