GER40270 Youth and Cruelty

Academic Year 2022/2023

Hardly any period of the human life cycle is idealised as regularly and as wildly as youth. However, as is often the case with ideals, the reality is sometimes very different. This module will focus on several novels and novellas from German Modernist literature, Robert Walser's "Jakob von Gunten", Robert Musil's "Die Verwirrungen des Zöglings Törleß" and Arthur Schnitzler's "Der Sohn". Like much Modernist prose, these works are as much about the form of experience as they are about its content, looking at the unique way each individual experiences the world, and sometimes flounders in it. We see a commentary on things such as value systems, power relations, gender and social status. In some instances, the narratives reveal an ambivalence not often mentioned in common expectations (and idealisations) of youth. At times, some of the texts place more negative experience of youthfulness in the spotlight: they don't shy away from themes such as bullying, exclusion, and the experience of "difference". The protagonists have hopes, fears and crises of identities on many levels. Walser, Musil and Schnitzler in these works show the threshold between youth and adulthood, innocence and guilt, self-assurance and anxiety, and in the midst of this, the young protagonist struggles to find a voice.

The module will provide insight into aspects of Modernism with particular focus on Austrian and Swiss writers. It will also introduce some of the psychoanalytic and philosophical ideas of the period which were particularly influential for Modernist artists.

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Curricular information is subject to change

Learning Outcomes:

On successful completion of this module, you should be able to:-
Write a coherent essay which reflects a suitable level of research on one of the set topics. Your essay will combine analysis with reflection on some of the viewpoints found in your secondary reading. An important skill for postgraduate writing is how to negotiate positions in existing research while also developing an independent argument, and on successful completion of this module, you will have gained experience in this.
On the basis of your assessment work, essay, presentation and your Learning Journal, you will have gained some insight into aspects of literary Modernism, but also into the wider intellectual context (for example, psychoanalysis, philosophical impressionism).

Indicative Module Content:

- Introduction to Psychoanalysis and its relevance to Modernist writing (Freud extract will be read).
- Introduction to Stream of Consciousness Technique (extract read from William James's "The Principles
of Psychology)
- Arthur Schnitzler's "Der Sohn": novella reflects on the themes such as parental responsibility, the
distorting role of guilt, cruelty.
- Robert Walser's "Jakob von Gunten"; a novel in diary-form; the "I" (Jakob) rebels against the idea of
success and comes up with his own terms for encountering the world
- Robert Musil's "Die Verwirrungen des Zöglings Törleß"; boarding school setting a microcosm of the
social world, in particular of the upper- and military classes in the Austro-Hungarian monarchy:-themes
such as masculinity, homosexuality, bullying, but also the search for clarity and meaning feature here.
- Ernst Mach's "Analyse der Empfindungen" (excerpt). Mach, taking issue with major philosophical
traditions, said that we are what we experience, and our knowledge of the world is being formed at all
times by our impressions and perceptions (Mach an important thinker for Robert Musil).

Student Effort Hours: 
Student Effort Type Hours
Lectures

0

Seminar (or Webinar)

24

Specified Learning Activities

56

Autonomous Student Learning

30

Total

110

Approaches to Teaching and Learning:
This module will consist of weekly lectures and tutorials. Normally, there will be a lecture on Mondays, with the discussion-based 'seminar' class on Wednesdays, during which the corresponding material is discussed. For most of these seminar-style classes, some questions will be made available in advance on Brightspace. These should enable you to take part fully in discussions as well as aiding individual reading and problem-solving. At times, written work (questions or shorter tasks) may be set for you to complete during class time instead of the seminar format. In some weeks, additional video material (lectures, or content-based resources) may be made available to you on Brightspace, and you will be expected to engage with this as part of your independent study for the module.
Your reading and wider reading from the Bibliography are an important part of the learning process and assessment-preparation.

 
Requirements, Exclusions and Recommendations

Not applicable to this module.


Module Requisites and Incompatibles
Not applicable to this module.
 
Assessment Strategy  
Description Timing Open Book Exam Component Scale Must Pass Component % of Final Grade
Essay: Essay, 4,000 words. Coursework (End of Trimester) n/a Standard conversion grade scale 40% No

65

Presentation: You are required to give a presentation on a chosen topic. This should reflect careful engagement with the primary texts, some independent research, and should help stimulate class discussion. Varies over the Trimester n/a Standard conversion grade scale 40% No

25

Journal: Reflective Journal entries (approx. 4). These can be structured around the Study Questions that will be set for most of the teaching weeks, although it is not essential that they follow this mould. Varies over the Trimester n/a Pass/Fail Grade Scale No

10


Carry forward of passed components
No
 
Resit In Terminal Exam
Autumn No
Please see Student Jargon Buster for more information about remediation types and timing. 
Feedback Strategy/Strategies

• Feedback individually to students, on an activity or draft prior to summative assessment
• Feedback individually to students, post-assessment
• Online automated feedback

How will my Feedback be Delivered?

The feedback on the Book Review presentation (some may be individual, other presentations may be as a group) will give guidance as to (i) how clearly and effectively your ideas were communicated; (ii) whether your work showed evidence of suitable preparation including further reading and (iii) whether your review was able to stimulate discussion. Feedback on the Essay (70%) will be available for collection from the start of trimester 2. You are also very welcome to come to see the Module Coordinator during designated office hours (or by appointment) for advice on any aspect of the module.

Youth and Cruelty in German Modernism Dr Jeanne Riou
GER 30190 / GER 40270

Bibliography


Primary Literature

Sigmund Freud, „Die Verdrängung“, in: Gesammelte Werke, Anna Freud, E. Bibring, W. Hoffer, E. Kris, O. Isakower (eds.), Fischer: Frankfurt/Main 1999 (=11940 London), Vol. X.

„Über Kindheits- und Deckerinnerungen“), in: Gesammelte Werke, Anna Freud, E. Bibring, W. Hoffer, E. Kris, O. Isakower (eds.), Fischer: Frankfurt/Main 1999 (=11940 London), Vol. IV: Zur Psychopathologie des Alltagslebens.

William James, The Principles of Psychology. Vol. One, Dover: New York 1950 (=11890).

Robert Musil, Die Verwirrungen des Zöglings Törleß, Rowohlt Verlag: Hamburg 2016.

Robert Walser, Jakob von Gunten, Suhrkamp: Frankfurt/Main 1985.

Arthur Schnitzler, „Der Sohn“, in: Meistererzählungen, Hans Weigel (ed), Diogenes: Zürich 1975.


Recommended Further Reading / Compulsory for GER 40270

Sigmund Freud, Das Ich und das Es, in: Gesammelte Werke, Anna Freud, E. Bibring, W. Hoffer, E. Kris, O. Isakower (eds.), Fischer: Frankfurt/Main 1999 (=11940 London), Vol. XIII. (*Optional, also for GER 40270)

Franz Kafka, Das Urteil und andere Prosa, Reclam: Stuttgart 1995

Ernst Mach, Die Analyse der Empfindungen und das Verhältnis des Psychischen zum Physischen (1885), 2nd revised edition, Jena 1900.

J.D. Salinger, The Catcher in the Rye, Penguin: London 1994 (Recommended)


Secondary Literature

Brookemann, Christopher, “Pencey Prep: Cultural Codes in The Catcher in the Rye”, in: New Essays on the Catcher in the Rye, Cambridge: CUP 1991.

De Cauwer, Stijn, “Robert Musil’s Cultural Diagnostics in the Light of Nietzschean Immunology”, in: Neophilologus, 96, (2012) , pp- 411–425. (NB. While this focuses more on Der Mann ohne Eigenschaften than on Törleß, it nevertheless offers a good account of (i) Musil’s perspective on Nietzsche and (ii) how he approaches the relationship between art and morality.


Dowden, Stephen D., Sympathy for the Abyss: A Study in German Modernism: Kafka, Broch, Musil and Thomas Mann, Niemeyer: Tübingen 1986.

Frederick, Samuel and Heffernan, Valerie, Robert Walser. A Companion, Northwestern University Press: Illinois 2018.

Grimwade, Robert, “Between the Quills: Schopenhauer and Freud on Sadism and Masochism”, in: The International Journal of Psychoanalysis, 92: 1 (2011), pp. 149-169.

Hickmann, Hannah, Robert Musil and the Culture of Vienna, Croon Helm: London, Sydney 1984.

Hoffmann, Birthe, “Eine menschliche Moderne? Robert Musils Versuch einer neuen Synthese auf dem Boden der Gestalttheorie“, in Musiliana, 17, 2018,

Jared Parmer, W., “Nietzsche and the Art of Cruelty”, in: The Journal of Nietzsche Studies, Volume 48, Issue 3, Autumn 2017, pp. 402-429.


Nübel, Birgitt & Wolf, Norbert Christian, Robert Musil Handbuch, de Gruyter: Berlin, Boston 2016.

Plug, Jan, “Guilty: Of Nothing (Jakob von Gunten)”, in: ESC: English Studies in Canada, 32, 1, 2006, pp. 161-182.

Rochelle, Tobias, “The Double Fiction in Robert Walser's ‘Jakob von Gunten"”, in: The German Quarterly, Vol. 79, No. 3, Focus on Literature around 1900 (Summer, 2006), pp. 293-307
Published by: Blackwell Publishing on behalf of the American Association of Teachers of German
Stable URL: http://www.jstor.org/stable/27675952

Rogowski, Christian, “Re-Calibrating German Modernity”, in: Germanic Review, 85, 2, 2010

Ryan, Judith, “The Vanishing Subject: Empirical Psychology and the Modern Novel”, in: PMLA
Vol. 95, No. 5 1980, pp. 857-869.

Smith, Peter D., “The Scientist as Spectator: Musil’s ‘Törleß’ and the Challenge to Mach’s Neo-Positivism”, in: The Germanic Review, 5, 2000.

Stöhr, Ingo R., “The First Decade of the Twentieth Century: Aestheticism – Impressionism and Symbolism”, in: German Literature of the Twentieth Century. From Aestheticism to Postmodernism, Camden House: Rochester, NY 2001, pp. 12-20.

Stopp, Elisabeth, “Musil's ‘Törless’: Content and Form”, in: The Modern Language Review, 63, 1, 1968, p. 94-118.

Goldgar, Harry, “The Square Root of minus One: Freud and Robert Musil's Törless”, in: Comparative Literature, 17, 2, 1965, pp. 117-132.

Utz Peter, Tanz auf den Rändern. Robert Walsers Jetztzeitstil, Suhrkamp: Frankfurt/Main 2018.

„Robert Walsers ‚Jakob von Gunten‘. Eine ‚Null‘-Stelle der Deutschen Literatur“, in: Deutsche Vierteljahresschrift für Literaturwissenschaft und Geistesgeschichte, 74, 2000, pp. 448-512.