Learning Outcomes:
By the end of the module, students will be able to:
- Demonstrate critical understanding of a range of experimental media approaches through writng and speaking about them.
- Have developed an understanding of the economic and historical intersections between experimental and avant-garde practices. and the social and political milieu which informed their production and reception.
- Demonstrate writing skills that engage with theoretical materials around the concepts of experimental cinema.
- Channel knowledge gained from primary and secondary material into creative work, class participation and writing.
- Work with other students to develop an understanding of project dynamics.
Indicative Module Content:
Indicative Lecture Content
Questions of Experimental Cinema
The Canon
1960s Feminist Experimental Films
1970s UK Avant Garde
New York Underground
Collective Video
TV Aesthetics and Music Video
Autoethnography
Installation and Gallery Space
Home Video: From VHS to DVD
Digital Media Convergence and DIY
Indicative Reading List
Bordwell, David and Kristin Thompson. “Experimental Film.” Film Art: An Introduction, 11th Ed., McGraw-Hill Education, 2016, pp. 369-388.
Dieter, Daneils and Jan Thoben. Video Theories: A Transdisciplinary Reader. Bloomsbury, 2022.
Foster, Gwendolyn Audrey and Wheeler Winston-Dixon. Experimental Cinema: The Film Reader. Routledge, 2002.
Garfield, Rachel. Experimental Filmmaking & Punk: Feminist Audio Visual Culture in the 1970s and 1980s. Bloomsbury, 2022.
Hawkins, Joan. Downtown Film & TV Culture 1975-2001, Intellect, 2015.
Mulvey, Laura and Sue Clayton. Other Cinemas: 1970s Experimental Film in Britain, Bloomsbury, 2024.
O’Dwyer, Jules. “From the Story of an Eye to a Cinema of Bodies.” The Routledge Companion to Gender and Affect, Routledge, 2022.
Perry, Colin. Radical Mainstream: Independent, Film, Video and Television. Intellect, 2020.
Rees, A. L. A History of Experimental Film and Video. Palgrave Macmillan, 2011.
Russell, Catherine. Experimental Ethnography: The Work of Film in the Age of Video. Duke University Press, 1999.
Westgeest, Helen. Video Art Theory: A Comparative Approach. Wiley Blackwell, 2015.