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ARCT30010

Academic Year 2024/2025

Architectural Design V (ARCT30010)

Subject:
Architecture
College:
Engineering & Architecture
School:
Architecture, Plan & Env Pol
Level:
3 (Degree)
Credits:
15
Module Coordinator:
Dr Peter Cody
Trimester:
Autumn
Mode of Delivery:
On Campus
Internship Module:
No
How will I be graded?
Pass/Fail (GPA Neutral)

Curricular information is subject to change.

Module Description:

This module is an inter university project and will be undertaken in conjunction with 3rd year students of Architecture at the University of Limerick. Our shared programme seeks to develop and support a robust and questioning design studio culture.

Site: Clare Island Harbour.

Background:

Clare island lies at the entrance to Clew Bay in County Mayo some 5km from the west coast of the Irish mainland. It covers an area of 1,600 hectares (a little more than sixteen km2). Most of the cultivated land is found towards its eastern end, while the western side of the island is bare, subject to high winds and dominated by the high ridge of Knockmore Mountain, attaining a height of 465 metres. The scenery is spectacular and the history dense. The island’s rock surfaces were scoured by glaciers in the last Ice Age (30,000 -12,000 yrs ago) and a mass of glacial sediment was dumped on its southern slopes as the ice retreated. The cliffs of Clare Island are listed as an area of international scientific importance, sheltering rare arctic-alpine plant communities and seabird breeding colonies.

Programme: Habitat: Art House

You are asked to design to a high level of detail a modest sized civic building to house a collection of work by the artist Tony O’Malley (1923-2003) associated with Clare Island. The building located in the harbour, houses a small permanent collection consisting of an eclectic body of work created across the artist’s lifetime. The relationship between each piece of work and the building; how you encounter the piece, should be carefully considered, alongside the potential for connection to the landscape and ocean beyond. Although, each piece should be on display, the building is not an art gallery. As well as hosting the work the building is also a place where individuals, or small groups of people can gather to participate in workshops dedicated to painting and drawing, organised in association with the nearby Clare Island Studio.

The artist’s father was a native of Ballytoughey, a mountainous settlement at the northern edge of the island which breaks the journey from the harbour to the lighthouse. It was here, nestled in the shadow of Cnoc Mór with the Atlantic rolling in the near distance that the O’Malleys settled in the 1860s. The family’s home, a stone cottage which had fallen into ruin in recent decades has been restored alongside a separate artist’s studio to form the Clare Island Studio. A supporting artist in residence programme is organised through the Royal Irish Academy.

Although he never based his studio here, Tony O’Malley found much inspiration in the landscape of Clare island. His extensive body of work is concerned with landscape, and the spirit of personal and folk history which it embodies. Also, central to his aesthetic was a concept he called ‘inscape’, a term derived from Gerard Manley Hopkins, but given his own idiosyncratic meaning, ‘the subjective side of painting, and subjectivity itself’ landscape as perceived in the mind not on the retina; the inner essence of a thing, in contrast with ‘outscape’, its outer appearance. In the same way, the proposed building through the manipulation of form, space and material should be responsive to and encapsulate the island’s essential character.

Structure:

Student activities are generally studio based and attendance in studio is mandatory. Working individually and in assigned groups you will carry out a combination fieldwork, research, model building and design over a period of 12-weeks. The programme has 2no. connected stages of development leading to one coherent proposal. In each, you are asked to develop, test and then document coherent design strategies through drawing and model making.

Submission:

At the end of the module each student is required to submit an individual, collated A1 physical portfolio of work and a series of physical models. The portfolio must include all drawings, photographs of models, rough-work and sketchbooks that demonstrate the required outcomes. In addition, each student should produce a digital A3 reflection document (format pdf) that succinctly describes and reflects on the work the student has made over the trimester. This document should also be printed at A3 size.

About this Module

Learning Outcomes:

Learning Outcomes
On completion of this module students should be able to:

1. Demonstrate an ability to survey, research and analyse existing and historic buildings, landscapes and settings and to use the findings as an active component in the design process. 10

2. Demonstrate the ability to make appropriate and well-considered design interventions in a specified context through the integration of function, form and space. 40

3. Demonstrate the ability to integrate building construction, structure and materials into a synthetic design proposal that at the same time acknowledges and compliments the natural environment. 20

4. Demonstrate the ability to integrate environmental issues and concerns into a synthetic design proposal across all scales. 10

5. Demonstrate the ability to develop a project through an iterative and rigorous work process, employing analytical thinking and the required range of work methods, techniques and scales. 10

6. Demonstrate an ability to use the required representational skills at various stages of the design project to communicate and exhibit the work coherently. 10

Student Effort Hours:
Student Effort Type Hours
Autonomous Student Learning

88

Studio

272

Total

360


Approaches to Teaching and Learning:
Approaches to Teaching and Learning
Key modes of teaching and learning in this module will include: studio work based around observation, active/task-based learning, enquiry-based learning, peer and group work, case-based or precedent study, lectures, workshops, reflective writing and student presentations. Representation skills are emphasised in drawing and model making. Students will work to reflect, collate, edit and present their research and design work for presentation.

Feedback
Students are in weekly contact with their tutors in small group meetings. At these, students' work is discussed and summative feedback is provided that is focused on positively developing project ideas. It is not intended to grade ideas which are in the process of taking shape. Reviews are scheduled during the semester at which students will be given an indication of what development is required in the case of a project being underdeveloped. Written feedback is given after the Interim Review.

Requirements, Exclusions and Recommendations
Learning Requirements:

A minimum of D- in ARCT20050 Architectural Design IV


Module Requisites and Incompatibles
Pre-requisite:
ARCT20010 - Architectural Design IV, ARCT20050 - Architectural Design III


 

Assessment Strategy
Description Timing Component Scale Must Pass Component % of Final Grade In Module Component Repeat Offered
Portfolio: An individual, collated A1 physical portfolio of work. It must include all drawings, photographs of models, rough-work and sketchbooks. Week 14, Week 15 Pass/Fail Grade Scale No
100
No

Carry forward of passed components
No
 

Remediation Type Remediation Timing
In-Module Resit Prior to relevant Programme Exam Board
Please see Student Jargon Buster for more information about remediation types and timing. 

Feedback Strategy/Strategies

• Feedback individually to students, on an activity or draft prior to summative assessment
• Peer review activities
• Self-assessment activities

How will my Feedback be Delivered?

Feedback Students are in weekly contact with their tutors in individual or small group meetings. At these, the students' work is discussed and summative feedback is provided that is focused on positively developing project ideas. Reviews are scheduled during the semester at which students will be given an indication of what development is required in the case of a project being underdeveloped. Written feedback is given after the Interim Review only.

Clare Island John Feehan
Praeger Study - Royal Irish Academy
Tony O’Malley by Brian Lynch
Constructions, Tony O'Malley
Ways of Seeing , John Berger
Flesh and Stone Richard Sennett
Berger on Drawing, John Berger
Poetics of The Earth, Augustin Berque, 2019
And Our Faces, My Heart, Brief as Photos - John Berger
Architecture of The Well-Tempered Environment - Rayner Banham.
What Time is This Place, Kevin Lynch
Superstudio - Life without objects.

Name Role
Assoc Professor Michael Pike Lecturer / Co-Lecturer
Mr Chris Boyle Tutor
Ms Nicci Brock Tutor
Mr Paul Durcan Tutor
Mr Thomas O'Brien Tutor
Mr Luis Pedro Pedro Tutor
Ms Ciara Reddy Tutor
Mr Cian Scanlon Tutor

Timetabling information is displayed only for guidance purposes, relates to the current Academic Year only and is subject to change.
Autumn Studio Offering 1 Week(s) - Autumn: All Weeks Fri 09:00 - 12:50
Autumn Studio Offering 1 Week(s) - Autumn: All Weeks Fri 14:00 - 17:50
Autumn Studio Offering 1 Week(s) - Autumn: All Weeks Mon 14:00 - 17:50
Autumn Studio Offering 1 Week(s) - Autumn: All Weeks Wed 14:00 - 17:50