ARCT30010 Architectural Design V

Academic Year 2023/2024

Module Description:

This module is a response to the development of the Resilient Design Curriculum across the first three years of the undergraduate programme. It’s an inter university project and will be undertaken in conjunction with 3rd year students of Architecture at the University of Limerick. Our shared programme seeks to develop a robust and questioning design studio culture that can provide coherent architectural responses to some of the challenges posed by human induced climate change.

Background:

Clare island lies at the entrance to Clew Bay in County Mayo some 5km from the west coast of the Irish mainland. It covers an area of 1,600 hectares (a little more than sixteen km2). Most of the cultivated land is found towards its eastern end, while the western side of the island is bare, subject to high winds and dominated by the high ridge of Knockmore Mountain, attaining a height of 465 metres. The scenery is spectacular and the history dense. The island’s rock surfaces were scoured by glaciers in the last Ice Age (30,000 -12,000 yrs ago) and a mass of glacial sediment was dumped on its southern slopes as the ice retreated. The cliffs of Clare Island are listed as an area of international scientific importance, sheltering rare arctic-alpine plant communities and seabird breeding colonies.

Over the last century the fortunes of farming have been governed essentially by developments in the wider world outside of Clare Island: but one of the most remarkable things about the island is the completeness with which the pattern of traditional farming a hundred years ago is preserved in its landscape. With the gradual abandonment of arable farming the ridged fields reverted to grassland, which acted as a protective seal on the earlier patterns of ridges. In recent decades farmers have concentrated mainly on sheep, the close grazing of which is optimal for the proliferation of the high nature value waxcap flora this kind of grassland supports, and which does not require the same degree of labour-intensive attention as arable farming. Much of the ridged farm-scape has however been lost to encroaching bracken and soft rush, and there has been significant regression to peat formation, often resulting in the suppression of the waxcap flora.

The deterioration of this unique landscape is a serious loss; but it is one that can be halted and reversed. The information and insights provided by the two Clare Island surveys provide the necessary data for the development and implementation of an agri-environment programme specific to Clare Island that will lead to a new model for farming and management of the environment on the island. A key element in the restoration of large areas of agricultural grassland is recovery through carefully targeted changes in the stocking regime and systematic drainage, thereby greatly extending the area of grazing available. This grassland hosts the island’s rich waxcap flora, much of its archaeological heritage, and the material evidence of the extraordinary arable landscape that was reformed by the Congested Districts Board’s re-direction of the island’s agriculture at the end of the nineteenth century.

Programme:

Collective live / work / stay accommodation. Just as the landscape will be transformed under the proposed new ACRES programme, the physical infrastructure of the island must transform in response to the challenges posed by climate change, evolving farming practice, migration and sustainable agri-tourism. The proposal is for collective accommodation for 4-6 farming families (consisting of 2-5 persons) to be provided in a single structure, most likely over several levels, loosely based around the concept of the Rundale collective village system. Established typologies including familiar domestic spatial arrangements and the nomination of rooms should be avoided, instead your design should explore solutions derived from first principles to encompass a climate based response that considers orientation, site, ground, soil, heat, humidity, temperature, air, wind, water, light, material, waste, composting, recycling and seasonal weather patterns. The building’s functions from cooling and heating to sleeping, eating and working should be provided for by either the fabric of the building or by utilising passive strategies and not through the provision of additive technologies or furnished elements. It should form a simple robust structure, in sympathy with the surrounding landscape, rooted to place and capable of standing unattended.

The families are involved in the local farming cooperative and raise their animals on the commonage. They may not all be in residence year round, in which case the available space can be rented to tourists to provide an alternative source of income. Some residents may also work from home, this could involve generating added value from the raw materials and by product of farming and land management. Accordingly, the structure should incorporate the necessary outhouses for animals, material and equipment to fulfill the various functional needs of the residents and their employment.

Structure:

Student activities are generally studio based and attendance in studio is mandatory. Working individually, in assigned groups and in shared workshops you will carry out a combination fieldwork, research and design over a period of 12-weeks. The programme has 3no. connected stages of development leading to one coherent proposal. In each, you are asked to develop, test and then document coherent design strategies through model and drawing.

01 Site 1:500 / 1:200
Sept 11th Monday - 06th Oct Friday
Workshop group work Clare Island 13th-16th September

02 Built Form 1:50
09th Oct Monday - 03rd Nov Friday
Workshop group work 26th-27th Oct Curators Slovenian Pavilion Venice Architecture Biennale
https://drive.google.com/drive/u/0/folders/15f495JrjAt0U9RdDWetCGmkF2isOdL3G?sort=13&direction=a

03 Envelope 1:25
06th Nov - 1st Dec Friday
Workshop Venice group work 16th-20th November (provisional dates).

Submission:

At the end of the module each student is required to submit an individual, collated and organized physical portfolio of work. The portfolio must include all drawings, photographs of models, sketches and sketchbooks that demonstrate the required outcomes. In addition, each student should produce a collated digital guide document that succinctly describes and reflects on the work the student has made over the trimester with reference to the work of their peers. This document should also be formatted and printed at A3 size.

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Curricular information is subject to change

Learning Outcomes:

Learning Outcomes
On completion of this module students should be able to:

1. Demonstrate a developing ability to survey, research and analyse existing and historic buildings, landscapes and environments and to use the findings as an active component in the design process.

2. Demonstrate the ability to develop a project through an iterative and rigorous work process, employing analytical thinking and a range of work methods, techniques and scales.

3. Demonstrate the ability to make appropriate and well-considered design interventions in a specified context through the integration of function, form, space, and environment.

4. Demonstrate the ability to integrate building construction, structure and materials into a synthetic design proposal that at the same time acknowledges and compliments the natural environment.

5. Demonstrate the ability to integrate environmental issues and concerns into a synthetic design proposal across all scales.

6. Demonstrate an ability to use a variety of representational skills appropriate to the various stages of the design project and to present and exhibit work coherently.

7. Demonstrate the ability to communicate, discuss, critique and reflect on your own work and the work of your peers.

Student Effort Hours: 
Student Effort Type Hours
Studio

272

Autonomous Student Learning

88

Total

360

Approaches to Teaching and Learning:
Approaches to Teaching and Learning
Key modes of teaching and learning in this module will include: studio work based around observation, active/task-based learning, enquiry-based learning, peer and group work, case-based or precedent study, lectures, workshops, reflective writing and student presentations. Representation skills are emphasised in drawing, model, collage and digital techniques. Students will work to reflect, collate, edit and present their research and design work for presentation and exhibition.

Feedback
Students are in weekly contact with their tutors in small group meetings. At these, student's work is discussed and summative feedback is provided that is focused on positively developing project ideas. It is not intended to grade ideas which are in the process of taking shape. Reviews are scheduled during the semester at which students will be given an indication of what development is required in the case of a project being underdeveloped. Written feedback is given after the Interim Review and after the final assessment.
 
Requirements, Exclusions and Recommendations
Learning Requirements:

A minimum of D- in ARCT20050 Architectural Design IV


Module Requisites and Incompatibles
Pre-requisite:
ARCT20010 - Architectural Design IV, ARCT20050 - Architectural Design III


 
Assessment Strategy  
Description Timing Open Book Exam Component Scale Must Pass Component % of Final Grade
Portfolio: Design and Technology project work Coursework (End of Trimester) n/a Graded Yes

100


Carry forward of passed components
No
 
Remediation Type Remediation Timing
In-Module Resit Prior to relevant Programme Exam Board
Please see Student Jargon Buster for more information about remediation types and timing. 
Feedback Strategy/Strategies

• Feedback individually to students, post-assessment

How will my Feedback be Delivered?

Feedback Students are in weekly contact with their tutors in individual or small group meetings. At these, student's work is discussed and summative feedback is provided that is focused on positively developing project ideas. It is not intended to grade ideas which are in the process of taking shape. Reviews are scheduled during the semester at which students will be given an indication of what development is required in the case of a project being underdeveloped. Written feedback is given after the Interim Review and after the final assessment.

Clare Island John Feehan
Praeger Study - Royal Irish Academy
Entangled Life: How Fungi Make our Worlds, Change our Minds and Shape our Futures, by Merlin Sheldrake.

Waste, Kevin Lynch
Poetics of The Earth, Augustin Berque, 2019
The Limits to Growth, D. Meadows - L. Meadows-J. Randers - William Behrens, 1972
August Choisy, Anatomy of Architecture.
Site Planning Kevin Lynch.
Field Conditions - Stan Allen
And Our Faces, My Heart, Brief as Photos - John Berger
Architecture without Architects, Bernard Rudofsky
Architecture of The Well-Tempered Environment - Rayner Banham.
What Time is This Place, Kevin Lynch
Complexity and Contradiction - RobertVenturi.
Image of the City, Kevin Lynch.
Superstudio - Life without objects.
Time Machine, HG Wells, 1895. Four walls and a roof, Reinier De Graaf.
Broken Glass, Alex Beam. Climate Changed, Philippe Squarzoni.
Name Role
Mr Chris Boyle Lecturer / Co-Lecturer
Ms Phoebe Brady Lecturer / Co-Lecturer
Ms Nicci Brock Lecturer / Co-Lecturer
Mr Paul Durcan Lecturer / Co-Lecturer
Mr Thomas O'Brien Lecturer / Co-Lecturer
Mr Luis Pedro Pedro Lecturer / Co-Lecturer
Assoc Professor Michael Pike Lecturer / Co-Lecturer
Ms Ciara Reddy Lecturer / Co-Lecturer
Timetabling information is displayed only for guidance purposes, relates to the current Academic Year only and is subject to change.
 
Autumn
     
Studio Offering 1 Week(s) - Autumn: All Weeks Fri 09:00 - 12:50
Studio Offering 1 Week(s) - Autumn: All Weeks Fri 14:00 - 17:50
Studio Offering 1 Week(s) - Autumn: All Weeks Mon 14:00 - 17:50
Studio Offering 1 Week(s) - Autumn: All Weeks Wed 14:00 - 17:50
Autumn