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Curricular information is subject to change
Students will be able to
-distinguish specific musical genres and situate them historically
-provide a social, historical and racial background to specific musical genres
-situate specific musical genres within both a historical and a racial landscape
-snalyse examples of specific genres and clearly discuss their characteristic traits and idiosyncrasies
-provide an overview of regional and genre-specific styles
Spirituals
Lined Hymnody
Chanted Prayers and Sermons
Gospel music
African American Evangelicalism and Fundamentalism
Basics of of USA' nineteenth- to twenty-first-century history
Student Effort Type | Hours |
---|---|
Specified Learning Activities | 100 |
Autonomous Student Learning | 68 |
Lectures | 20 |
Seminar (or Webinar) | 12 |
Total | 200 |
Not applicable to this module.
Description | Timing | Component Scale | % of Final Grade | ||
---|---|---|---|---|---|
Group Work Assignment: Students will be asked to present, in class, on a topic agreed with the module coordinator. | Week 3, Week 5, Week 7, Week 9, Week 11 | Graded | No | 30 |
No |
Individual Project: Students will be asked to complete a final essay on a topic to be agreed with the module coordinator. | Week 12 | Graded | No | 70 |
No |
Resit In | Terminal Exam |
---|---|
Spring | No |
• Feedback individually to students, post-assessment
• Group/class feedback, post-assessment
The group projects will be graded and feedback provided verbally. The final essay will be graded, and that grade added to the cumulative grade. This module uses the yellow light approach to AI in assignments: it can be used for correction, translation, citation and brainstorming. Students should add a line to all course work indicating whether or not they have used AI in any way and, if so, outline how.
Name | Role |
---|---|
Ms Emma Gregg | Tutor |